A rider is a contractual proviso that outlines a series of stipulations or requests between at least two parties. While they can be attached to leases and other legal documents, they’re most famously used by musicians or bands to outline how they need their equipment to be set up and arranged, how they like their dressing room organized, and what types of food and beverages they require. Anyone who’s seen Spinal Tap knows these requests can be extremely outrageous and unreasonable. (And, in the case of Iggy Pop’s, unexpectedly hilarious.)
I was inspired to create this series after reviewing a few riders from some of the biggest acts in the world, all of which were ridiculous. But what I found most interesting about them is that they offered a glimpse into their larger-than-life personalities.
I initially thought I would try and shoot all of the items listed on the catering riders but quickly realized that this would become an exercise in wasting money. So I decided to focus on the quirkiest requests and shoot them in a Flemish Baroque still-life style because I felt that there was a direct connection between the themes in these types of paintings and the riders: the idea of time passing and the ultimate mortality of a musician’s career as the limelight inevitably fades—they only have a short time in which they are able to make these demands and have them fulfilled.
Photography and Direction: Henry Hargreaves
Prop Styling: Caitlin Levin