Reviewed: The Limp Bizkit Comback the World Has Been Waiting for
Oh shit—the game just changed again. Limp Bizkit has emerged from a ten-year hiatus from being popular to drop the video for their pant-tightener of a comeback single, “Ready To Go,” which features Lil Wayne laying down a guest verse. It might seem like an odd combo, but Weezy’s got form when it comes to terrible rock music, having previously paid more than just lip service to the genre by actually releasing 2009’s nu-rock family funeral, Rebirth.     

However, his commitment to having awful taste was only truly cemented when he became the Justin Timberlake to Fred Durst’s MySpace, signing the band to his label Young Money in February of 2012. “Ready to Go” is Bizkit’s first Young Money single, and the first of their tracks to include a proper rapper since 1999’s legitimately good stoner-rap joint “N 2 Together Now" with Method Man. It’s also been uploaded to Vimeo (meaning that Limp Bizkit are serious artists now), so I thought it deserved a bit of an examination.

Let’s begin at the beginning: America is now the sort of place where Limp Bizkit logos have replaced traffic signs. Limp Bizkit aren’t just a nu-metal band, or a shortcut to the cringe mechanisms of a generation of twenty-somethings, they’re also a physical place. A place where every traffic violation is presumably punished by a man with a “chainsaw” who “will skin your ass raw,” where the army where Red Yankees caps, where women try to dance to metal on podiums and where the word “fuck” still shocks.
Sure enough, the track itself opens with Fred screaming "GO FUCK YOURSELF!" at no one in particular. Welcome home, old friend; your rage is just as directionless as it ever was.
Continue

Reviewed: The Limp Bizkit Comback the World Has Been Waiting for

Oh shit—the game just changed again. Limp Bizkit has emerged from a ten-year hiatus from being popular to drop the video for their pant-tightener of a comeback single, “Ready To Go,” which features Lil Wayne laying down a guest verse. It might seem like an odd combo, but Weezy’s got form when it comes to terrible rock music, having previously paid more than just lip service to the genre by actually releasing 2009’s nu-rock family funeral, Rebirth.     

However, his commitment to having awful taste was only truly cemented when he became the Justin Timberlake to Fred Durst’s MySpace, signing the band to his label Young Money in February of 2012. “Ready to Go” is Bizkit’s first Young Money single, and the first of their tracks to include a proper rapper since 1999’s legitimately good stoner-rap joint “N 2 Together Now" with Method Man. It’s also been uploaded to Vimeo (meaning that Limp Bizkit are serious artists now), so I thought it deserved a bit of an examination.

Let’s begin at the beginning: America is now the sort of place where Limp Bizkit logos have replaced traffic signs. Limp Bizkit aren’t just a nu-metal band, or a shortcut to the cringe mechanisms of a generation of twenty-somethings, they’re also a physical place. A place where every traffic violation is presumably punished by a man with a “chainsaw” who “will skin your ass raw,” where the army where Red Yankees caps, where women try to dance to metal on podiums and where the word “fuck” still shocks.

Sure enough, the track itself opens with Fred screaming "GO FUCK YOURSELF!" at no one in particular. Welcome home, old friend; your rage is just as directionless as it ever was.

Continue

Notes:

  1. vd13whitepony reblogged this from vicemag
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  5. awesomebreadbutter reblogged this from vicemag and added:
    LOL
  6. dltn333 said: The Limp Bizkit comeback no one was waiting for.
  7. kevinkearney reblogged this from vicemag and added:
    "The track itself opens with Fred screaming "GO FUCK YOURSELF!" at no one in particular. Welcome home, old friend; your...
  8. insignificantlysignificant said: WOW. CLASSIC VICE GARBAGE… ”GO FUCK YOURSELF!” AS FRED DURST WOULD SAY :)
  9. lobotomytoall reblogged this from vicemag
  10. tabbran reblogged this from vicemag
  11. alitishere said: well, i guess we agree to disagree. they’re not that bad. i love their music back then because it was sums up some memories. we agree that borland is exceptional, pure blood talented mother-fucker.
  12. dariuswrecker reblogged this from vicemag
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