Nate Hill Wears Naked White Women as Scarves
Nate Hill stood in the living room of a twee North Brooklyn apartment on an afternoon in late October with a naked white girl draped around his shoulders. I pulled out my iPhone and snapped a picture. Then he nodded and started to walk slowly around the girl’s furniture. Everything was silent except for the creak of the wood floor. After about a minute, he gently let the girl down. She smiled, said thank you, and showed us to the door.
The peculiar act that I saw was part of the 36-year-old performance artist’s latest project called “Trophy Scarves.” The project involves Nate traveling to the homes of white women, getting them naked, and wearing them as human scarves. As strange as it sounds, it’s not the first time Nate has perpetrated some seriously weird shit in the name of art and social critique. Nate crashed into the art world back in 2008 with taxidermy tours of Chinatown’s garbage. He followed that up with “Death Bear,” a project that involved him wearing a bear suit and meeting up with random people to take away their possessions associated with bad memories. He’s thrown half-eaten cheeseburgers at pedestrians while riding a bike, delivered fake crack to apartments while wearing a dolphin suit, and sent a computer virus to all of his press contacts. Most recently, he’s been focusing on doing race-based pieces, like “White Power Milk,” in which he operates a website where you can order milk gargled by pretty, college-educated white girls.
I followed him around Brooklyn as he transformed a couple white women into naked fashion accessories. I asked him a few questions along the way. Here’s what he had to say.
What’s “Trophy Scarves” about?
Well, there are people who see certain races as status symbols, and someone had to comment on that.
Is this a similar tone to what you were doing with “White Power Milk”?
Yeah. With “White Power Milk,” I just wanted to talk about how people see white women as a status symbol. With “Trophy Scarves,” I wanted to find another way to come at that. I guess it’s the same kind of satirical, tongue-in-cheek approach that I like to take with things. I like to talk about something serious but do it in a lighter, kind of a goofy way.