How to Structure Your Life: A Review of Corey Feldman’s Biography, ‘Coreyography’
I think I can learn a lot from Corey Feldman’s autobiography, Coreyography. He was a child star in the 80s who was pushed into acting by his parents. His mother was a former Playboy bunny at one of the clubs, and his father was a struggling musician. Once Corey started booking commercials at age three, he became the family’s breadwinner; with that came a host of unfair responsibilities for the young Corey, which seems to have warped his perspective on his place in the world and his relationship to filmmaking; it must be hard to shake that feeling importance. He was, like all child actors, working in a professional environment filled with and designed for adults—having to play child characters but performing a job that required the stamina and perspective of the adults who worked alongside him.
Because he was the major earner for his family, the pressure for him to continue working was extraordinarly—abusively—high: he was beaten with belts and wooden dowels if he didn’t perform well in school (bad grades would prevent him from getting a work permit), if he ate too much (his mom had an obsession with his weight), or if he didn’t book jobs or had problems on the set. As a child, Corey was in some of the most important movies of the 80s, Stand by Me,The Goonies, The Lost Boys (the first of the contemporary teenage vampire projects—decades before Twilight). And he was part of the pop phenomenon “the Two Coreys,” alongside Corey Haim, and was a close friend to Michael Jackson; Corey was at the center of most of the popular youth projects and events of the era. By tracking his story, one gets to a peak behind the scenes of many of the projects that shaped the culture of my generation.