Why are so many girls wearing cat makeup on Tinder? We explored the phenomenon.

vicenews:

Bed-Stuy’s Volunteer Ambulance Service
Brooklyn’s Bedford-Stuyvesant neighborhood is well past the notoriety it had in the 1980s and 1990s, when the area was neglected and crack dealers violently ruled the streets. Back then, two men began providing much needed help to their underserved community. The Bed-Stuy Volunteer Ambulance Corp was founded in 1988 by Captain James “Rocky” Robinson, an EMS tech, and Specialist Joe Perez. Rocky is still at the helm today, 26 years later, training a new generation to follow in his footsteps. With the community now much safer and better served, he has changed the BSVAC’s original mission of saving lives to changing lives — helping young men and women who may not have any other options receive free training and eventually find jobs in the medical field. 
Watch the video

vicenews:

Bed-Stuy’s Volunteer Ambulance Service

Brooklyn’s Bedford-Stuyvesant neighborhood is well past the notoriety it had in the 1980s and 1990s, when the area was neglected and crack dealers violently ruled the streets. Back then, two men began providing much needed help to their underserved community. The Bed-Stuy Volunteer Ambulance Corp was founded in 1988 by Captain James “Rocky” Robinson, an EMS tech, and Specialist Joe Perez. Rocky is still at the helm today, 26 years later, training a new generation to follow in his footsteps. With the community now much safer and better served, he has changed the BSVAC’s original mission of saving lives to changing lives — helping young men and women who may not have any other options receive free training and eventually find jobs in the medical field. 

Watch the video

Baby DJs
Hey, how’s your baby doin’? What kind of music is it listening to? Kidz Bop? The Wiggles? Fuckin’ Raffi and shit? If you really loved your baby, you’d be dropping $200 to send it to Baby DJ School.

Baby DJs

Hey, how’s your baby doin’? What kind of music is it listening to? Kidz Bop? The Wiggles? Fuckin’ Raffi and shit? If you really loved your baby, you’d be dropping $200 to send it to Baby DJ School.

Brooklyn: Come to Joe Leavenworth’s Book Launch at VUU Studio Tonight

As photo editor of the website you are looking at right now, as well as its corresponding magazine, part of my job is keeping abreast of the goings on inside the photography world. For the most part, I’m pretty good at it. But over the past few days six separate artists have asked me if I’m planning on going to the launch of a book I had never heard of—New York-based photographer Joe Leavenworth's Native Son. Considering how many times the event has been brought up recently, it’s safe to say that either Joe has a crack viral PR team, canvassing the city spreading news of the launch via word of mouth; or his book is just so damn good people genuinely can’t help themselves from talking about it, like the Bible or A Dance with Dragons. Let’s find out together at VUU Studio tonight.

Leavenworth was born in Decatur, Georgia, adopted at birth, and raised in New England. He attempts to reconcile the dichotomy of his upbrigning by crisscrossing the southeastern United States and recording encounters, curiosities, and surfaces with his camera. The pictures in this series are warm but not overly sentimental, and all subjects are rendered sympathetically in natural light. Leavenworth draws connections between portraits, still-lives, and landscapes in a poetic way that I’m sure will benefit from the linear structure a book provides. The book is 76 pages long, bound by hand, and published by VUU in an edition of just 75 copies.

VUU Studios, Brooklyn, NY
56 Bogart ST 1st Floor
6-9pm

(Source: Vice Magazine)

We went to Brooklyn to try to communicate with the dead through Vodou. Brought to you by the new film Devil’s Due.

We went to Brooklyn to try to communicate with the dead through Vodou. Brought to you by the new film Devil’s Due.

Go See The Night of the Hunter Next Tues. in Williamsburg
For the eighth feature in our screening series with Martin Scorsese’s Film Foundation at Nitehawk Cinema, we present The Night of the Hunter, actor Charles Laughton’s sole directorial effort. Considered a commercial and critical flop upon initial release, it has since risen from cult staple to full-blown classic. And rightfully so: its intriguing mixture of Southern Gothic dread mixed with bold German Expressionism makes it a near anomaly of the era, so it makes sense that it took everyone a few decades to catch up to its brilliance. Beyond the sheer technical and storytelling perfection, there’s a bravura, career-defining performance from Robert Mitchum as the ghoulish villain pulsating at the center (there’s a reason why his infamous knuckle tattoos been referenced by everyone from Spike Lee to The Simpsons.)
To get you prepped, we reached out to a few directors, a noted Hunter film scholar, and a staff member of Nitehawk Cinema to offer up their feelings on this legendary singular work.

Go See The Night of the Hunter Next Tues. in Williamsburg

For the eighth feature in our screening series with Martin Scorsese’s Film Foundation at Nitehawk Cinema, we present The Night of the Hunter, actor Charles Laughton’s sole directorial effort. Considered a commercial and critical flop upon initial release, it has since risen from cult staple to full-blown classic. And rightfully so: its intriguing mixture of Southern Gothic dread mixed with bold German Expressionism makes it a near anomaly of the era, so it makes sense that it took everyone a few decades to catch up to its brilliance. Beyond the sheer technical and storytelling perfection, there’s a bravura, career-defining performance from Robert Mitchum as the ghoulish villain pulsating at the center (there’s a reason why his infamous knuckle tattoos been referenced by everyone from Spike Lee to The Simpsons.)

To get you prepped, we reached out to a few directors, a noted Hunter film scholar, and a staff member of Nitehawk Cinema to offer up their feelings on this legendary singular work.

In NYC? Go see VICE’s screening of the classic film The Big Country this Tuesday at Nitehawk Cinema in Williamsburg.

In NYC? Go see VICE’s screening of the classic film The Big Country this Tuesday at Nitehawk Cinema in Williamsburg.

(Source: )

Nate Hill Wears Naked White Women as Scarves 
Nate Hill stood in the living room of a twee North Brooklyn apartment on an afternoon in late October with a naked white girl draped around his shoulders. I pulled out my iPhone and snapped a picture. Then he nodded and started to walk slowly around the girl’s furniture. Everything was silent except for the creak of the wood floor. After about a minute, he gently let the girl down. She smiled, said thank you, and showed us to the door. 
The peculiar act that I saw was part of the 36-year-old performance artist’s latest project called “Trophy Scarves.” The project involves Nate traveling to the homes of white women, getting them naked, and wearing them as human scarves. As strange as it sounds, it’s not the first time Nate has perpetrated some seriously weird shit in the name of art and social critique. Nate crashed into the art world back in 2008 with taxidermy tours of Chinatown’s garbage. He followed that up with “Death Bear,” a project that involved him wearing a bear suit and meeting up with random people to take away their possessions associated with bad memories. He’s thrown half-eaten cheeseburgers at pedestrians while riding a bike, delivered fake crack to apartments while wearing a dolphin suit, and sent a computer virus to all of his press contacts. Most recently, he’s been focusing on doing race-based pieces, like “White Power Milk,” in which he operates a website where you can order milk gargled by pretty, college-educated white girls.
I followed him around Brooklyn as he transformed a couple white women into naked fashion accessories. I asked him a few questions along the way. Here’s what he had to say.
What’s “Trophy Scarves” about? 
Well, there are people who see certain races as status symbols, and someone had to comment on that.
Is this a similar tone to what you were doing with “White Power Milk”?Yeah. With “White Power Milk,” I just wanted to talk about how people see white women as a status symbol. With “Trophy Scarves,” I wanted to find another way to come at that. I guess it’s the same kind of satirical, tongue-in-cheek approach that I like to take with things. I like to talk about something serious but do it in a lighter, kind of a goofy way. 
Continue

Nate Hill Wears Naked White Women as Scarves 

Nate Hill stood in the living room of a twee North Brooklyn apartment on an afternoon in late October with a naked white girl draped around his shoulders. I pulled out my iPhone and snapped a picture. Then he nodded and started to walk slowly around the girl’s furniture. Everything was silent except for the creak of the wood floor. After about a minute, he gently let the girl down. She smiled, said thank you, and showed us to the door. 

The peculiar act that I saw was part of the 36-year-old performance artist’s latest project called “Trophy Scarves.” The project involves Nate traveling to the homes of white women, getting them naked, and wearing them as human scarves. As strange as it sounds, it’s not the first time Nate has perpetrated some seriously weird shit in the name of art and social critique. Nate crashed into the art world back in 2008 with taxidermy tours of Chinatown’s garbage. He followed that up with “Death Bear,” a project that involved him wearing a bear suit and meeting up with random people to take away their possessions associated with bad memories. He’s thrown half-eaten cheeseburgers at pedestrians while riding a bike, delivered fake crack to apartments while wearing a dolphin suit, and sent a computer virus to all of his press contacts. Most recently, he’s been focusing on doing race-based pieces, like “White Power Milk,” in which he operates a website where you can order milk gargled by pretty, college-educated white girls.

I followed him around Brooklyn as he transformed a couple white women into naked fashion accessories. I asked him a few questions along the way. Here’s what he had to say.

What’s “Trophy Scarves” about? 

Well, there are people who see certain races as status symbols, and someone had to comment on that.

Is this a similar tone to what you were doing with “White Power Milk”?
Yeah. With “White Power Milk,” I just wanted to talk about how people see white women as a status symbol. With “Trophy Scarves,” I wanted to find another way to come at that. I guess it’s the same kind of satirical, tongue-in-cheek approach that I like to take with things. I like to talk about something serious but do it in a lighter, kind of a goofy way. 

Continue

Sandy Kim

You’ve heard a lot from us about Sandy Kim. She’s been in our magazine and on our websitetons of times, mostly due to the fact that she’s one of our favorite photographers making work today. She mixes intelligent ideas with tits and dicks and a no-fucks-given attitude, and we love her for it. But can you believe she’s never had a solo show in her home city of New York? We can’t either. That all changes tonight. Our other good photo buddy, Lele Severi, one of the geniuses behind the Newsstand in the Lorimer L stop station, has opened a new space called Muddgutsthat will host workshops, signings, screenings, and art shows. of which Sandy’s is the first. It all happens tonight at 41 Montrose Ave. in Brooklyn, and you should definitely come. We hear there may be special guests!
Here’s a sneak peek of some of the work in the show…

You’ve heard a lot from us about Sandy Kim. She’s been in our magazine and on our websitetons of times, mostly due to the fact that she’s one of our favorite photographers making work today. She mixes intelligent ideas with tits and dicks and a no-fucks-given attitude, and we love her for it. But can you believe she’s never had a solo show in her home city of New York? We can’t either. That all changes tonight. Our other good photo buddy, Lele Severi, one of the geniuses behind the Newsstand in the Lorimer L stop station, has opened a new space called Muddgutsthat will host workshops, signings, screenings, and art shows. of which Sandy’s is the first. It all happens tonight at 41 Montrose Ave. in Brooklyn, and you should definitely come. We hear there may be special guests!

Here’s a sneak peek of some of the work in the show…

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