Last time we went to one of Corey Feldman’s parties he freaked out and called us a pervert and accused us of photoshopping images to make him look bad. He also banned VICE (and cameras) from future parties. So when his Valentine’s Day party came along, we snuck in and brought illustrator Johnny Ryan with us.
Did you hear? We went to another one of Corey Feldman’s parties. Cameras were banned, so this time we brought artist Johnny Ryan with us.
We Went to Another One of Corey Feldman’s Parties
By now, the tale of woe that is Corey’s Angels is the stuff of legend. We went to his birthday party last year, took a bunch of photos he claimed were doctored to make the party look bad, and then our writer was accused of being a pervert. The irony of Corey Feldman accusing someone of sexual deviancy at a party where he charged men $250 to hang around women in lingerie was clearly lost on him.
After a few weeks of Corey furiously tweeting his displeasure over the article, shit died down. Corey went back to retweeting any and all compliments he could find, and all seemed normal… until we saw an ad for a Corey’s Angels Valentine’s Day party. Which was, naturally, scheduled forFebruary 22nd.
It’d be fair to assume we would have learned our lesson and stayed away this time, but like the producers of Lost Boys 2, we went greedily went back for seconds despite having every reason in the world not to. Through cunning, guile, and perseverance (and a $300 entrance fee), we made it back to the Feldmansion.
Obviously, under no circumstances, would Corey allow someone from VICE back to one of his “parties,” so I came up with a pseudonym and invented the backstory that my guest was from out of town and looking to get crazy. The party had a dress code where all men had to wear suits, so I sucked in my gut and squeezed into my Sunday best. Cameras were banned this time around, so I took the illustrator Johnny Ryan with me to draw what happened.
If $300 seems like a lot for two grown men to go to a party, you’ll be horrified to learn that it almost cost more, as Corey’s assistant called me up and tried to claim that the advertised “Early Bird Special” on their website should have been discontinued before we bought our tickets and that we’d need to give Corey an extra $200. We simply refused to pay more and went on our way.
Jerry O’Connell Is Currently Doing Some Kind of Super Artsy Thing in Los Angeles
Shia LeBeouf’s performance art piece in Los Angeles has changed the way our society looks at celebrity. It’s a groundbreaking work, the likes of which have never been seen before. Obviously, copycats were bound to start springing up, eager to siphon off some creative juice from such an original piece of art. Fortunately, the first one out of the gate to get a taste of the action was My Secret Identity star, Jerry O’Connell, who opened a performance art installation right next door to Shia.
A massive crowd formed, eager to get a glimpse at what their hero had in store for them. Literally, the line was almost all the way to the next storefront. I counted at least fifteen people. It hit twenty at its peak. It was overwhelming, much like Jerry O’Connell’s performance in Kangaroo Jack.
The line for Shia LeBeouf obviously took a massive hit because of Jerry’s presence next door. The only remaining visitors to Shia’s installation were nobodies, tourists, normal people, fatties, and Time magazine writer Joel Stein. I couldn’t be bothered.
There was a real excitement in the air. Everyone was getting into the spirit of things. Especially this guy, who thought to do his own art project on the sidewalk. Thanks to his ingenuity and me being complicit with his attention-seeking, he is now famous. What a paradox. Really makes you think, eh?
As I made my way through the door, a palpable sense of dread overtook me. What could be in store? Surely, I would be learning something about myself, and connecting with a human being in a very real way. I’d definitely cry. He’d definitely cry.
Shia LaBeouf Is Currently Doing Some Kind of Super Artsy Thing in Los Angeles
As you’ve probably heard by now, Actor, director, and mirror to our tortured souls, Shia LaBeouf is doing some sort of performance art thing in Los Angeles.
The exhibition/performance/whatever is called #IAMSORRY and is being held at 7354 Beverly Blvd until Sunday.
I headed down to check it out.
I arrived expecting a huge line, but there was none. Just one other guy and a security guard. The guard told me that I was the 75th person to see the exhibit, and that I had to go in alone, “because we don’t want anyone else to ruin your experience.”
After about five minutes of waiting, the security guy gave me the once over with a metal detector, and I was allowed inside.
I ended up in a room with a bunch of objects laid out on a table. I managed to sneak a photo.
There was a ukelele, a bottle of Jack Daniels, a bowl containing print-outs of mean tweets about Shia, a bowl of Hershey’s Kisses, a bottle of Brut cologne, a copy of The Death Rayby Daniel Clowes, an Optimus Prime action figure, some pliers and a whip.
A woman told me to choose an object. I picked up the bowl of mean tweets about Shia.
A copy of the press release for whatever this thing is.
Bowl in hand, the woman led me through a curtain and into a small room.
Shia was sitting at a small wooden table in the center of the space. He was wearing a suit and the “I AM NOT FAMOUS ANYMORE" bag that he had on his head in Berlin.
The woman left, and it was just me and Shia. I didn’t sneak a photo of him, out of respect for his art (JK, I chickened out.)
I sat down opposite him. As far as I could tell, I wasn’t being filmed and nobody was listening in.
After sitting there for a few seconds with Shia staring at me in silence, I said, “So you’re not gonna talk, huh?” He didn’t respond.
Playing the great rock critic Lester Bangs, in Almost Famous, Seymour Hoffman remarks that: “Great art is about guilt and longing.” So often, that was what Seymour Hoffman’s acting was about. “Truth” is a word that’s thrown around a lot in the theatre; it’s a hazy concept that encompasses a lot of things, including not being hammy, or affected or self-conscious. It’s hard to pin down but easier to see when it’s right in front of you. When you watch Philip Seymour Hoffman act, you are watching something true. He once said of his career: “I just thought I’d ride my bike to the theater. That’s what was romantic to me.” It’s a line that sums up the possibility of creation, the optimism of making something artistic happen. To think that he’ll never do that again is almost too sad.
I Went to a D-List Celebrity Botox Party
D-list celebrities are different from you or me. The oft-derided “famous for being famous” folk who dominate reality television, make embarrassing pornography, and ponder bizarre schemes to auction off bits of their genitalia get some of the benefits provided by fame, but they also have to be willing to live in public and constantly reveal their flaws and thoughts. Whatever you think of these people—you might idolize them, you might feel vaguely nauseated by their very existence—you likely can’t imagine what their day-to-day lives are like. Write a think piece about how awful Here Comes Honey Boo Boois and what the show says about contempory culture if you must, but first, imagine what it’s like to be Honey Boo Boo, to live surrounded by cameras and have people you’ve never met saying all kinds of awful things about you and get encouraged, basically, to be insane for the world’s entertainment. Keep in mind, the phenomenon of post–Paris Hilton reality TV is only a decade old—this is basically a new realm of human experience.
So, when celebrity plastic surgeon Dr. Matthew Schulman and Gina Rodriguez, a manager who’s worked with everyone from Octomom to Backdoor Teen Mom,contacted me on Twitter to say that they’d like to throw me a D-list celebrity Botox party, I couldn’t refuse. It seemed totally reasonable that reality TV stars would all meet up to hang out and let doctors stab them with needles full of toxins, and if going to Matthew’s office on New York’s Upper East Side was what it took to enter their world, I’d gladly make that trip.
The party’s guest list was pulled straight out of US Weekly: DMX’s ex-wife Tashera Simmons, I Married a Mobster star Cheryl Caruso, Kim Kardashian lookalike Myla Sinanaj, camp recording artist Adam Barta, and Angelina Pivarnick—the Jersey Shore cast member who was so unstable she got kicked off the show. OK, maybe not the cover of US Weekly. Still, these were definitely celebrities.
In the face of new homophobic legislation, it’s perhaps understandable that a number of Western politicians and celebrities, from Francois Hollande to Lady Gaga to Stephen Fry, are boycotting—or calling for a boycott of—the Sochi Olympics. But, as Young and Gay in Putin’s Russia shows, the vast majority of gay people and gay activists in Russia do not support an international boycott.
“We oppose the boycott of the Olympics because it would hurt the athletes, who then wouldn’t be able to participate, and also the Russian LGBT community, because they would blame us if anything goes wrong,” said activist Nikolay Alexeyev. Countless gay rights supporters in Russia echoed his views.
I Spent a Day Exploring Gwyneth Paltrow’s Los Angeles
Early last week, owner of a cursed vagina and mother of Gwyneth Paltrow, Blythe Danner, said that she felt criticism of her daughter was unfair and fueled by jealousy. Speaking to something called Naughty But Nice Rob, Blythe said, “I feel she’s just extraordinarily accomplished in every area and people don’t like that, some people don’t like that, people who are bored and sit on their asses all day and just tap away. I mean I don’t read any of it, I just find it so disgusting.”
My gut feeling was that Blythe’s words were bullshit, and any animosity toward Gwyneth is justified. But I couldn’t think of any specific reasons that I disliked her.
As Einstein or Shakespeare or someone once said, “don’t judge a man until you’ve walked a mile in his shoes.” So, in order to better understand Gwyneth and whether or not my feelings of pure hatred toward her were warranted or not, I decided to spend a day walking in hers. Not literally, obviously. A pair of her shoes probably costs more than I will spend on clothing over the course of my entire life.
Luckily, Gwyneth recently launched something called the Goop City Guides app. Goop, for the unfamiliar, is a lifestyle brand Gwyneth made, seemingly with the intention of rubbing her own charmed existence into the face of anyone who signed up for her weekly mailing lists in the hopes that it would be ridiculous enough to be funny. It never is.
The most recent edition to the Goop empire is the app, which lists all of Gwyn’s favorite spots in Los Angeles, London, and New York. As I’m currently in Los Angeles, I decided to see what she’d recommended here.
The LA section of the app has an introductory video, narrated by Gwyneth, welcoming you to Los Angeles, a place she refers to as, “the city of my birth, the city I always return to and will forever hold a special place in my heart.” As she says this, we see dreamy, sun-bleached shots of the palm trees, florists and markets that populate Gwyneth’s Los Angeles, and none of the homeless people, garbage, and wall-poops that populate mine and everybody else’s.
Eat Meat with Your Hands Like God Intended
One of the most eagerly anticipated culinary events of the year in Los Angeles is Beefsteak. Organized by Tim & Eric's Eric Wareheim, Cort Cass, and Matt Selman, Beefsteak is a throwback to all-you-can-eat soirees from the 19th century. Men from all walks of life would gather in a beer hall or other large event space to consume massive amounts of beef, drink beer, and carouse.
The tradition fell out of favor in the middle of the last century, but Wareheim and company (along with noted chef Neal Fraser of Grace and BLD fame) sought to revive the practice for the modern era, while adding an element of philanthropy. All proceeds from the invite-only event go to the LA Food Bank, which seeks to end hunger in the Los Angeles area.
We assembled early for cocktails at the venue, Vibiana in downtown Los Angeles. We were greeted by a genial balloon maker who promised to make me a hat in the shape of a cow. The cow is, of course, the animal the Lord commanded us to eat with great joy and gratitude. I wasn’t sure about this balloon maker’s credentials, but fortunately, I came to see that I was in good hands.