Hey Diddy, What’s Your Music Channel Going to Be Like?
Sean “Diddy” Combs, one of hip-hop’s first multimedia moguls, and the man who taught me that Benjamin Franklin’s face is on the $100 bill, announced today that his fledgling cable channel, Revolt TV, has signed a distribution deal with Time Warner Cable. The channel, which launches in the fall, aims to fill the void left when MTV got out of the music video game.  Diddy spoke exclusively to us about Revolt, the state of music on television, and what music means in the area of ubiquitous online connectivity.
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Hey Diddy, What’s Your Music Channel Going to Be Like?

Sean “Diddy” Combs, one of hip-hop’s first multimedia moguls, and the man who taught me that Benjamin Franklin’s face is on the $100 bill, announced today that his fledgling cable channel, Revolt TV, has signed a distribution deal with Time Warner Cable. The channel, which launches in the fall, aims to fill the void left when MTV got out of the music video game.
 
Diddy spoke exclusively to us about Revolt, the state of music on television, and what music means in the area of ubiquitous online connectivity.

CONTINUE

Legendary Producer Mike Dean Talks About His Work on ‘Yeezus’ 
As far as hip-hop producers go, Mike Dean is a legend. He’s a Grammy Award-winning producer who helped pioneer the Dirty South sound in the 90s. Mike’s had a hand in mixing, producing, and mastering multi-platinum records for everyone from the Geto Boys and Pimp C to Tupac and Jay-Z. Mike’s also been one of Kanye West's go-to guys from the very beginning. He's worked on the majority of Kanye's albums, from mixing College Dropout and Late Registration to co-producing tracks on Graduation and My Beautiful Dark Twisted Fantasy. For the past six months, Mike Dean, Ye, and the legendary Rick Rubin have been putting the final touches on Kanye’s new record. The way Yeezus has been blaring out of every pair of headphones around the VICE office, we can’t wait to catch Kanye and Mike performing the new tracks on tour. 
We sent Archie Green, an MC and producer who’s made beats for VICE’s Noisey Raps and has been featured in the Creators Project’s Layers series, to catch up with Mike Dean before Yeezus dropped. Archie picked Mike’s brain about Kanye’s new album, Mike’s past projects, and what the future of hip-hop holds.
CONTINUE

Legendary Producer Mike Dean Talks About His Work on ‘Yeezus’

As far as hip-hop producers go, Mike Dean is a legend. He’s a Grammy Award-winning producer who helped pioneer the Dirty South sound in the 90s. Mike’s had a hand in mixing, producing, and mastering multi-platinum records for everyone from the Geto Boys and Pimp C to Tupac and Jay-Z. Mike’s also been one of Kanye West's go-to guys from the very beginning. He's worked on the majority of Kanye's albums, from mixing College Dropout and Late Registration to co-producing tracks on Graduation and My Beautiful Dark Twisted Fantasy. For the past six months, Mike Dean, Ye, and the legendary Rick Rubin have been putting the final touches on Kanye’s new record. The way Yeezus has been blaring out of every pair of headphones around the VICE office, we can’t wait to catch Kanye and Mike performing the new tracks on tour

We sent Archie Green, an MC and producer who’s made beats for VICE’s Noisey Raps and has been featured in the Creators Project’s Layers series, to catch up with Mike Dean before Yeezus dropped. Archie picked Mike’s brain about Kanye’s new album, Mike’s past projects, and what the future of hip-hop holds.

CONTINUE

Hip Hop in Syria Is Deathly Serious Business
While hip-hop in the West has evolved into a platform for radical political discourse juxtaposed with mindless party anthems, things are obviously a bit more complex in Syria. Centuries ago, Arabic poets held hijas, which were basically proto–poetry slams, and by extension, freestyle rap battles. But these roots never blossomed into much of a scene, mostly due to the constraints of the authoritarian Assad government. The lack of availability of decent tunes in the country is exacerbated by the fact that, in general, music is a touchy subject for Muslims (some interpret verses of the Koran as favoring a ban on music altogether). These extreme levels of censorship and sensitivity clash with the traditionally rebellious nature of hip-hop, and to violate them by recording a track with incendiary lyrics can be a deadly decision.
On July 4, 2011, the poet Ibrahim Qashoush’s body was found floating down the Orontes River, which flows through Lebanon, Syria, and Turkey. According to residents, Qashoush’s vocal chords had been ripped from his slit throat. The poet was rumored to have coined the mantra “Yalla erhal ya Bashar,” or “Come on Bashar, leave”—a battle cry demanding the ouster of the familial regime that has ruled Syria for four decades. This slogan, along with the Arab Spring’s famous rallying cry “Al-sha‘b yurīd isqa-t. al-niz. a-m” (“The people want to bring down the regime”), has inspired both revolutionaries inside the country and Syrians living in exile around the world to support the resistance. One of the most interesting examples is LA-based rapper Omar Offendum, whose anti-regime track “#SYRIA” got so much attention that he won’t be able to visit his homeland again unless Bashar and his followers are overthrown.
Continue

Hip Hop in Syria Is Deathly Serious Business

While hip-hop in the West has evolved into a platform for radical political discourse juxtaposed with mindless party anthems, things are obviously a bit more complex in Syria. Centuries ago, Arabic poets held hijas, which were basically proto–poetry slams, and by extension, freestyle rap battles. But these roots never blossomed into much of a scene, mostly due to the constraints of the authoritarian Assad government. The lack of availability of decent tunes in the country is exacerbated by the fact that, in general, music is a touchy subject for Muslims (some interpret verses of the Koran as favoring a ban on music altogether). These extreme levels of censorship and sensitivity clash with the traditionally rebellious nature of hip-hop, and to violate them by recording a track with incendiary lyrics can be a deadly decision.

On July 4, 2011, the poet Ibrahim Qashoush’s body was found floating down the Orontes River, which flows through Lebanon, Syria, and Turkey. According to residents, Qashoush’s vocal chords had been ripped from his slit throat. The poet was rumored to have coined the mantra “Yalla erhal ya Bashar,” or “Come on Bashar, leave”—a battle cry demanding the ouster of the familial regime that has ruled Syria for four decades. This slogan, along with the Arab Spring’s famous rallying cry “Al-sha‘b yurīd isqa-t. al-niz. a-m” (“The people want to bring down the regime”), has inspired both revolutionaries inside the country and Syrians living in exile around the world to support the resistance. One of the most interesting examples is LA-based rapper Omar Offendum, whose anti-regime track “#SYRIA” got so much attention that he won’t be able to visit his homeland again unless Bashar and his followers are overthrown.

Continue