RIP Taylor Mead
On Wednesday, the Lower East Side lost yet another piece of its diminishing history when Taylor Mead, an actor, poet, Andy Warhol friend and collaborator, and a staple of the LES, passed away. It was not very long ago that I found myself in his apartment on Ludlow Street, discussing the drastic changes that have taken place in the LES with Taylor and the photographer Clayton Patterson. Soon after, Taylor was bought out of his apartment, which he had lived in for over three decades. He was taking a break from the city to visit his niece in Colorado, when he suffered a fatal stroke.
While spending time with Taylor I shot a video, along with Clayton and Jade Katzenellenbogen, about how he came to New York, as well as his recent battle with his landlord, noted LES prick Ben Shaoul. We hope to release the video sometime within the next few weeks.
In the meantime, here are some of Clayton Patterson’s memories and thoughts on Taylor.
In the new episode of the Thom deVita Tattoo Age series we explore the neighborhood in which Thom lived and worked, the Lower East Side of Manhattan. We also go into the types of tattoos Thom did, and what it took to talk someone into getting a tattoo that was a little out of the ordinary.
Tattoo Age - Thom deVita, Part 1
Thom began tattooing in the mid 60s in New York City’s Lower East Side when it was illegal. There isn’t much information out there about him. So we interviewed Ed Hardy and others to tell his incredible story.
Today, in the wake of the shittiest storm New York has ever seen, Manhattan’s shittiest dive bar is shuttering its doors for good. St. Jerome’s was a horrible and fantastic place, a peerless dump in the belly of the Lower East Side where the author of this article used to DJ and bartend and Lady Gaga shook her ass as a go-go dancer before she turned into whatever it is that she is now. It was also a place with its own dedicated drug room, and an after-hours scene that had to be witnessed to be believed. So before it turns into another exposed-brick artisanal kombucha spot, here’s a brief history of St. Jerome’s.
Lady Starlight gogo dancing. She is now the opening DJ for Lady Gaga’s Russian and South American tours.
How much cocaine went into St. Jerome’s? Like, if you had to declare blow on your taxes, what would it all add up to over the five-plus years that little coke den was rotting away in the LES while all the decent real estate became condos? Imagine that many little baggies. If you cut them all open, poured them out on the bar, dusted the floor, made spin art in the DJ booth, heaped it onto those tipsy tables, and let the excess fill the tears of the leather banquettes, would it be enough to cover the stench of cigarettes, hairspray, and broken dreams?
St. Jerome’s was roughly the size of your friend’s shitty fifth floor studio walkup. The place was absolutely packed if 15 people showed up. There were two bathrooms, one of which was handicapped and unofficially designated for drugs. At some point the toilet in there broke, turning it into a filthy room with smooth, level surfaces that served no purpose aside from being a dark hole to snort things in. Still, when you came out there would be a line of people waiting.
When the line got too long, Luc, the bartender, would cut the music and bang on the wall, “ALL THE COKEHEADS IN THE BATHROOM FINISH UP. PEOPLE GOTTA PISS.” Or fuck, or whatever.
After hours at St. Jerome’s.
The best time to come to St. Jerome’s was at 4 AM when you and all your other really accomplished and amazingly talented artist friends had just finished stripping or bartending somewhere else. The register couldn’t report any sale after 4 AM so you’d toss the bartender your hard-earned 20 and have at it. Then you’d watch as your friends morphed into machines that could turn trace amounts of cocaine into an unlimited supply of bullshit.