FaceTime Girls Are the New Webcam Girls
The future of cybersex is in the palm of your hands.

FaceTime Girls Are the New Webcam Girls

The future of cybersex is in the palm of your hands.

Skype Dinner with Marilyn Manson: He Had Eel
VICE: Do you see beauty in the grotesque?

Marilyn Manson: The more morbid something is for me, or grotesque, the more inherent curiosity it can generate in others I think. A primal, sexy allure of ritual, and animal level thinking. I’m pulled to darkness, the secret’s out.
 


Your shows enact a blood-pageantry. Or something. When I see your videos, some of the imagery, you don’t want to see, but you can’t turn away. Like skewering the woman’s cheek in that video. I’m like, “I can’t believe he’s ckeek-fucking her with a shish kabob skewer.” But I couldn’t stop watching. That whole video for “Overneath the Path of Misery.” Unsettling, and captivating.


If you’re curious, you’re turned on. I think it’s effective. I’m interested in engaging people that are curious about the morbid side, sure. The more grotesque something is, the more chance it has to be perfect. The more grotesque something is, the less it has to hide, the more open it is.”

 
Are you into doom?

Not doom so much. Not death. Lately I’ve been into getting people excited about what they want to do. You can look at things symbolically, sure. The ultimate doom is what, death, right? Death can be seen as the ultimate orgasm. The final climax. I’m into climaxes [laughs]. I’m also into building tension and drawing it out. The more tension, the bigger the climax.
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Skype Dinner with Marilyn Manson: He Had Eel

VICE: Do you see beauty in the grotesque?
Marilyn Manson: The more morbid something is for me, or grotesque, the more inherent curiosity it can generate in others I think. A primal, sexy allure of ritual, and animal level thinking. I’m pulled to darkness, the secret’s out.
 

Your shows enact a blood-pageantry. Or something. When I see your videos, some of the imagery, you don’t want to see, but you can’t turn away. Like skewering the woman’s cheek in that video. I’m like, “I can’t believe he’s ckeek-fucking her with a shish kabob skewer.” But I couldn’t stop watching. That whole video for “Overneath the Path of Misery.” Unsettling, and captivating.

If you’re curious, you’re turned on. I think it’s effective. I’m interested in engaging people that are curious about the morbid side, sure. The more grotesque something is, the more chance it has to be perfect. The more grotesque something is, the less it has to hide, the more open it is.”

 
Are you into doom?
Not doom so much. Not death. Lately I’ve been into getting people excited about what they want to do. You can look at things symbolically, sure. The ultimate doom is what, death, right? Death can be seen as the ultimate orgasm. The final climax. I’m into climaxes [laughs]. I’m also into building tension and drawing it out. The more tension, the bigger the climax.

Read the whole thing