Alright let’s get all up in this shit.
So the world, in fact, DID NOT END on December 21. I know this because I was sitting pretty with my roommates, in the living room of our house, ripping the shit out of X-Mas gifts. We celebrated early just in case the real armageddony type shit did pop off. But guess what? By 12 AM—December 22—I was drunk as fuck watching those same roommates play in their little band with a bunch of other totally alive motherfuckers standing around me. So… Yeah, no end of the world. Hurray.
So while we’re all alive, LET’S FUCKING PARTY.
Here we go: Sad songs you could totally get away with slipping on at a party…
Now, you might think this is a cop out, but it’s not. Listen to this groove-banger and tell me it’s not gloomy as shit, while all around foxy as shit. The laid back percussion, the lush synth atmospheres, and bright and bold sax lines. All this from a main track from the motherfucking VIRGIN SUICIDES score. Sure, “Sexy Boy” is a much more frolicking, get-down-make-love type jam, but we’re attacking from our patented strong & sad angle, and “Playground Love” works much better from that position. Those Lisbon Girls…
I probably could’ve went with some other, more well-known Grandaddy songs, but really, this one’s my favorite. The whole vibe of this one, honestly, sort of just makes me want to imagine myself as a weird, fucked up soul-vampire, kind of like Sean Bateman did in Rules Of Attraction. Dawson was a stone-cold freakazoid in that movie—I never read the book, well kind of, I did read the last page to see if it really did end all abrupt, mid-sentence AND IT TOTALLY DOES! Anyway, yeah, something about the slow, pulsing organ and the droning synths, just makes me wanna roll through crowds of dumb faces and scowl. Sometimes you just got to get really weird and raw in a thick crowd of heads. I also really like when he says, “I try to sing it funny like Beck, but it’s bringing me down.” Good line.
I think Trent’s written a lot of somber, distressing tunes that have been heavily disguised as something perhaps a bit more flustered, pushing towards angsty, unnerved, and chaotic; when they’re really just tales of desperation, isolation, and a sense of full-bore uneasiness. “Somewhat Damaged,” sounds pretty fucking vicious with lines like “lick around divine debris, taste the wealth of hate in me” and “tear a hole exquisite red, fuck the rest and stab it dead.” So yeah, OK, Trent is pretty pissed, I get it. What we’re really dealing with here, is a tale of loss, a change for the worse. “How could I ever think it’s funny how everything you swore would never change is diferent now?” Trent’s screaming about how fucked it is that everything he had come to know and have faith in has changed abruptly; guess it could be a lovey-dovey kinda thing, or who really knows. That’s the way it speaks to me and most every other human that’s had a relation-SHIT go sour, right? So how well would this go over at a party? Well as long as your partygoers don’t masturbate to the Garden State soundtrack on a regular basis, all heads are gonna burst into headbang city when this heavy pummeler charges out of the speakers. Get wild. TOO FUCKED UP TO CARE ANYMORE!