The place is much like a film set—many of the peripheral buildings are just facades, while those at the “city center” are a lot more developed in order to give the trainees more varied terrain.
Photos from Donbas, Eastern Ukraine, where you spend the day hacking away inside a pitch-black, kilometer-deep tar hole, breathing in exposed coal and methane.
Taking Photos of Jihadis in Battle Isn’t As Easy As It Used to Be
When Robert Nickelsberg began his career as a photojournalist, all it took to embed with the mujahideen was a phone call to their PR representative. We talked to him about what’s changed.
"If you ain’t from Texas this ain’t the place to be because we’re burning this motherfucker down!” shouted Doughbeezy, the otherwise relentlessly friendly Houston rapper, at a recent show. He looked out over the crowd before him with the steady, combative gaze of a practiced performer. He was playing a larger, South-centric showcase called “Welcome to tha South” at South by Southwest, a time when the music industry as a whole fills Austin with the desperate sprawl of corporate sponsorship and mindless networking. Despite the presence of outsiders, there was a surplus of UT burnt ochre and hands throwing up the state’s longhorn symbol. And a lot of people seemed to know his songs. Like, maybe more than for Que or Ty Dolla $ign, artists on the bill with national radio hits. Most of the people there might have been from Texas—a mixed blessing given the setting.
Malerie Marder’s Gorgeous (and NSFW) Photos of Dutch Prostitutes Look Like Classical Paintings
When American photographer Malerie Marder was a student at Yale, Phillip Lorca diCorcia—who was one of her professors—worked with her on her first monograph,Carnal Knowledge. Her projects have dealt with the relationship between voyeurism and intimacy ever since.
For her new series, Anatomy, Marder spent six years working with prostitutes in Amsterdam and Rotterdam, coming up with compositions that bring to mind the works of painters like Magritte, Toulouse-Lautrec, or Courbet. I called her up for a chat.
VICE: Is it true you had to pay the women for their time?
Malerie Marder: Yes, I paid each woman 350 euros [$480]. A friend of mine, who is a collector, helped me financially but also worked as my assistant. He was my angel, my patron saint; without him none of this would have been possible.
Did you face any problems with convincing people to pose for you?
The real problem was not being able to photograph everyone who wanted me to. I’m a small presence in the studio—I shoot with a view camera that is slow and use an HMI light, which is like a warm sun. It’s a very small set up. I incorporated flash at the end but even that was just an additional light. I didn’t overtake the space so I think the women often forgot about me.
The #NotaBugSplat Art Piece in Pakistan Won’t Be Making Drone Pilots Feel Empathy
Earlier today, many publications, including VICE News, started reporting on a large art display in Northern Pakistan. Photos depict an open field or a rural farm on which a giant portrait of a young girl has been unraveled. It’s part of a project called #NotABugSplat.
Saks Afridi, the online PR rep for the project, says “for now, we’re an artist collective from Pakistan, USA, and France.” He won’t divulge precisely who else is involved for the time being. The French component, however, is reported to have been JR, who you may know from his sweet, humanity-affirming art, or his downright saccharine TED Talk.
As The Verge observed, #NotABugSplat is meant to show people coming together to say, “We exist.” In short, it’s like Banksy meets Kony 2012: Straight-up, uncut internet heroin.