VICE Meets: Eric Andre
This Week in Racism: The #CancelColbert Debate Is the Funniest Thing to Ever Happen
-If there’s one thing I believe the human race can totally agree on, it’s that comedy only gets better the more you dissect it. For instance, the classic joke, “Why did the chicken cross the road? To get to the other side,” surprises the recipient of the joke with its literal, non-punchline. It’s a pure form of anti-comedy, the “Nick Cannon in whiteface" of one-liners. Isn’t that joke so much funnier now that I’ve explained it? I thought so.
Last week was a real golden age of comedy, thanks in no small part to the#CancelColbert controversy. Like with all the best art (textbooks, CliffsNotes, the Transformers movie series), the meaning needs to be super clear, or it’s not good. That’s not a suggestion. That’s, like, a rule.
Writer/activist/excellent comedian Suey Park and TV personality/white person Stephen Colbert both learned this powerful lesson through the course of last week’s controversy over Colbert’s joke about the Washington Redskins’ Native American outreach foundation. The Twitter account for The Colbert Report tweeted an out-of-context quote on the subject that contained a racial slur against Asians. That caused Park to create the #CancelColbert hashtag and blow up the internet for a few days. Conservative pundits, often the ones getting accused of racism, jumped at the chance to give their hybrid-driving competition a taste of their own medicine. You go, Michelle Malkin! You’ve really earned it.
Eventually, Colbert went on his show and explained that what everyone was upset about was a joke, specifically a satirical dig at Redskins owner Dan Snyder’s insistence on his football team having a racially insensitive nickname. At that point, the joke took off, growing from a mildly amusing larva of social commentary into a full-blown comedy butterfly. And yet… something was missing. What if there was yet another layer of sarcasm at play here? What if… Suey Park was just kidding the whole time too?
Shit’s about to get real.
In an interview with popular comedy blog Salon.com, Suey Park explained—in agonizingly funny detail—how she’s actually a fan of Colbert and that she was merely trying to point out how white people are allowed the benefit of context, but minorities don’t receive the same privilege. Allow Ms. Park to explain further:
"A lot of white America and so-called liberal people of color, along with conservatives, ask, “Do I understand context?” And that’s part of wanting to completely humanize the oppressor. To see the white man as always reasonable, always pure, always deliberate, always complex and always innocent. And to see the woman of color as literal. Both my intent behind the hashtag and in my [unintelligible] distance, is always about forcing an apology on me for not understanding their context when, in reality, they misunderstood us when they made us a punch line again. So it’s always this logic of how can we understand whiteness better, and that’s never been my politics. I’ve always been about occupying the margins and strengthening the margins and what that means is that, for a long time, whiteness has also occupied the margins. Like, people of color get in circles with no white people in the room and we see that whiteness still operates. So I think it’s kind of a shock for America that whiteness has dominant society already, it also seeps into the margins. What happens the one time when the margins seep into the whiteness and we encroach on their space? It’s like the sky is falling."
I’m not sure who’s being misunderstood, who’s lacking context, or what “margins seep into the whiteness” means (maybe a Sarah McLachlan lyric?) What I do know is that the above block of text is very, very funny. I encourage comedians everywhere to explain themselves more. Based on the media’s fixation with this story, it seems like a sure way to up your Klout score. HILARIOUS
Back & Forth: Rob Delaney & Matt PikeIn the latest in the ongoing Back & Forth series, metal god Matt Pike of Sleep/High on Fire sits down with comedian Rob Delaney on a recent trip to Los Angeles. The pair met to discuss hard hitting topics that ranged from newly minted sobriety to bulldozing guitar riffs to kale and cholesterol, taking many stops in between. Did you know there is a time that it is socially acceptable to shit yourself? Matt Pike explains in the video above.
(Source: Vice Magazine)
No God? No Problem
Clowns Without Borders Go Into War Zones Armed Only with a Smile
In July 1993, a clown from Barcelona named Tortell Poltrona traveled to war-torn Croatia to do his act at a refugee camp. He had his doubts about how his performance would be received, but after an unexpectedly massive crowd of over 700 rapt children showed up to watch him, he left convinced of the value of comedy in crisis and conflict areas. That trip inspired Poltrona to found Clowns Without Borders, an organization devoted to bringing humor into lands where clowns usually dare not tread.
A year later, the internationally renowned clown Moshe Cohen, who had been bringing men and women with red noses and oversized shoes into dangerous places since 1990, opened an American chapter of Clowns Without Borders. Although it remains one of the organization’s smaller chapters (CWB has a presence in nine countries and is especially well established in France, Spain, and Sweden) and has only one part-time paid staffer, Clowns Without Borders USA now includes a board of 13 clowns, four logistical volunteers, and 30 active performers, some amateur and some professional.
Is Andy Kaufman Still Alive? Probably Not
Yesterday, Defamer published an article titled “Is Andy Kaufman Still Alive?” Gothamist, theComic’s Comic, Dangerous Minds, and others posted similar stories. The posts were based on accounts of a very strange ten minutes during Monday night’s ninth annual Andy Kaufman Awards, during which Andy’s brother Michael claimed to not know if Andy was alive, and then may or may not have been reunited onstage with his long-lost niece (Andy’s daughter). I was a judge at the (untelevised) event, so I figured I’d share what I saw and clear some stuff up.
I met Michael in January when I interviewed him about “On Creating Reality,” an Andy Kaufman exhibition at Maccarone gallery in New York. I hadn’t spoken with him since then, but last week I got an email from Wayne Rada, the producer of the Andy Kaufman Awards, saying that Michael wanted me to be a judge at the finals. I said I’d be happy to, and when I got to the Gotham Comedy Club I was told that Michael would be making a “very special announcement” at the end of the show.
After the contestants finished their sets, I went to the basement with the other three judges, who told me that, with the exception of tonight, Michael was always down there with them. I didn’t think much of it at the time, but in hindsight it seems obvious that I was asked to take Michael’s place in the judging process so he could focus on making his special announcement at the end of the show.
We probably deliberated for all of about four minutes before coming back upstairs, as the host of the show was wrapping up. Before announcing the winners, he said, Michael would like to say a few words. Michael walked up to the stage and squinted a little in the lights. He’s a soft-spoken man with mannerisms eerily similar to his brother, and when he began to speak the entire room fell silent.
The Kindest Thing Jay Leno Ever Did for Me Was Call Me a Lesbian
After a lot of hard work coming up as a stand-up comic in Los Angeles, I got a call late in the evening on Labor Day telling me that I’d be appearing on The Late Late Show with Craig Ferguson the following night. This would be my network TV debut. I actually appreciate that I didn’t know sooner than the night before. I didn’t have that one last time to run my jokes and eat shit because I was too hopped up on making them perfect to properly tell them. As it was, the Friday before Labor Day I went up to San Francisco to do two shows at Lost Weekend Video, an actual video store! With videos! Lost Weekend built an awesome twenty seat room into their basement for movie screenings and comedy and such. The last sets I got in before taping Late Late were there—loose and low pressure and literally in a basement.
Walking into CBS Studios, a producer on the show introduced me to another gal taping a segment for a later episode of Late Late. She was wearing some sheath dress that looked completely perfect and was gliding around in heels—the heel of which basically had the same diameter of a single human hair. I was wearing an old shirt I had picked out to sweat through during the drive over and then arrive in. I love to make a sweaty entrance.
While she was running through talking points I found out that Elettra—that lovely heeled lady—is not only a model with a successful cooking show, she also happens to be Isabella Rossellini’s daughter which means she is also Ingrid’s Bergman’s grandkid. That’s some serious royal Hollywood blood. I am, however, Brenda Esposito’s daughter, and my mom’s a rocking lady from Ohio.
VICE Podcast Show – Reggie Watts
The VICE Podcast Show is a weekly discussion which delves inside the minds of some of the most interesting, creative, and bizarre people within the VICE universe. This week, Reihan Salam gets comedian Reggie Watts to reveal his agenda of world domination.
Deep Thoughts on Jack Handey’s Days Writing for ‘SNL’ and His New Novel, ‘The Stench of Honolulu’
Jack Handey—who is indeed a real person, despite common misconception—is best known for his series of hilarious faux aphorisms, Deep Thoughts. Handey is also the writer of many ofSNL’s best sketches from the 80s and 90s, such as “Toonces, the Cat Who Could Drive a Car,” “Unfrozen Caveman Lawyer,” and “Happy Fun Ball.” For the past decade, he has been a regular contributor to the New Yorker’s Shouts & Murmurs section. This summer he released his first novel, The Stench of Honolulu, which begins: “When my friend Don suggested we go on a trip to the South Seas together, and offered to pay for the whole thing, I thought, Fine, but what’s in it for me?”
Lincoln Michel talked to him for VICE about writing, funny grammar, and proper cowboy dance moves.
VICE: I’m curious about the writing process for your novel, The Stench of Honolulu. Did you write most of the jokes separately, like for Deep Thoughts, and then add them to a narrative? Or did you write the jokes as you wrote the story?
Jack Handey: Some jokes were preexisting, but most were written as the story developed.
In the early 2000s, SNL ran excerpts from a fake novel of yours called My Big Thick Novel. If I’m not mistaken, one or two of those bits ended up in The Stench of Honolulu. For example, the one with a woman named Lanani (in the novel it’s Leilani) who gets annoyed about being a “personal blowdart counter.” Did the idea for writing an actual novel originate in the My Big Thick Novel spots?
Yes, I stole that joke from My Big Thick Novel. I think the novel did have a lot of its origins in My Big Thick Novel. I like a jungle setting, because just about anything can happen there, real or supernatural. It adds to the possibility of jokes you can use.