Watch This Is What Winning Looks Like, our new documentary about chaos, corruption, sexual abuse, and the war in Afghanistan.

Then head to Reddit and ask Ben Anderson, the filmmaker behind the doc, a question.

(Source: Vice Magazine)

On the Road with Tony Clifton
A Filmmaker’s Life and Work with the Drunken, Racist, and Probably Fictitious Lounge Singer
Scroll to the bottom of this piece to watch the exclusive premiere of Tony Clifton’s music video for “Lonely Girl.” It’s safe for work… ish.
Before the flood, Jeremy Johnson and his wife were always in the process of starting or ending some new independent business venture. Nothing ever stuck. Before Hurricane Katrina filled their New Orleans home with poisonous water, they’d curated a personal museum of pop-culture knick-knacks that they eventually tried turning into a thrift shop. Looking back on it, the most important items in Jeremy’s collection included the official WWF Andy Kaufman and Jerry Lawler figurines, and a copy of Lynne Margulies’s Kaufman documentary I’m From Hollywood, which told the story of the aggressively strange, groundbreaking comedian and performer’s venture into the wrestling ring. “Andy Kaufman hit me hard at a young age,” Johnson explains. “In sixth grade, this male friend of mine would get these girls in the neighborhood to come over, we would watch videotapes of Andy Kaufman wrestling women, and we would wrestle the girls in his parents’ living room while watching the videos.”
Katrina also flooded the school where Jeremy had been teaching moderately disabled high school kids, so in 2007, at the age of 27, Johnson began working at a coffee shop, while rebuilding his home. As an emotional booby prize, Johnson finally had the time to indulge his amateur filmmaking urges. “For a long time I’d been denying my creative side,” Johnson says. He slung coffee to a number of New Orleans layabouts, including an old gray-haired hippie type who began coming in every day to chat up Jeremy about pop culture, especially film. Not until the ponytailed fellow asked Jeremy to help him film a commercial for insult comic and “singer” Tony Clifton’s big comeback tour did Johnson recognize him as Andy Kaufman’s former writing partner, Bob Zmuda.
Continue

On the Road with Tony Clifton

A Filmmaker’s Life and Work with the Drunken, Racist, and Probably Fictitious Lounge Singer

Scroll to the bottom of this piece to watch the exclusive premiere of Tony Clifton’s music video for “Lonely Girl.” It’s safe for work… ish.

Before the flood, Jeremy Johnson and his wife were always in the process of starting or ending some new independent business venture. Nothing ever stuck. Before Hurricane Katrina filled their New Orleans home with poisonous water, they’d curated a personal museum of pop-culture knick-knacks that they eventually tried turning into a thrift shop. Looking back on it, the most important items in Jeremy’s collection included the official WWF Andy Kaufman and Jerry Lawler figurines, and a copy of Lynne Margulies’s Kaufman documentary I’m From Hollywood, which told the story of the aggressively strange, groundbreaking comedian and performer’s venture into the wrestling ring. “Andy Kaufman hit me hard at a young age,” Johnson explains. “In sixth grade, this male friend of mine would get these girls in the neighborhood to come over, we would watch videotapes of Andy Kaufman wrestling women, and we would wrestle the girls in his parents’ living room while watching the videos.”

Katrina also flooded the school where Jeremy had been teaching moderately disabled high school kids, so in 2007, at the age of 27, Johnson began working at a coffee shop, while rebuilding his home. As an emotional booby prize, Johnson finally had the time to indulge his amateur filmmaking urges. “For a long time I’d been denying my creative side,” Johnson says. He slung coffee to a number of New Orleans layabouts, including an old gray-haired hippie type who began coming in every day to chat up Jeremy about pop culture, especially film. Not until the ponytailed fellow asked Jeremy to help him film a commercial for insult comic and “singer” Tony Clifton’s big comeback tour did Johnson recognize him as Andy Kaufman’s former writing partner, Bob Zmuda.

Continue

(Source: Vice Magazine)

Austerity’s Drug of Choice: Sisa
Standing in the Athens police headquarters, interviewing the director of the drug unit, I realised I had a bag of chemically enhanced crystal meth in my pocket. I’d bought it the night before from a Greek homeless man and had forgotten to throw it away. After the interview, I stepped outside to smoke a cigarette, which is when some officers noticed the film crew I had brought along, who were recording from a distance. 
Minutes later the cops dragged us into a holding room, the little packet of drugs still stuffed in my pants. They made some calls, glared at us and eventually, reluctantly, released us – without ever searching me, thankfully. On my way out, I threw the baggie into the first garbage can I passed.
Several Greek police stations have been firebombed in recent months, so the cops have reason to be nervous, especially when they notice that they are being filmed. On our first evening in Athens, a different group of officers approached us and, after spotting our film crew down the street, demanded to see our papers. They deleted our footage and detained us for a couple of hours, until we’d managed to get our passports delivered to the station. Greece is a paranoid place at the moment. The police, fascists, anarchists, dealers and drug users are all fighting for local supremacy and no one trusts anyone else. 
The night before our close call at the Athens police headquarters, I was approached by a group of homeless people, one of whom was smoking some horrible-smelling stuff through what appeared to be a meth bowl made from an old lightbulb. Although I don’t speak Greek, I managed to let him know that I wanted to buy some of the drug, colloquially known as sisa. The homeless guy wandered off with my five-euro note, and afterward an old man grabbed my arm and shouted, “No, no take! Very bad.” I wasn’t going to smoke it, but I was very curious about Greece’s infamous new drug. 
Continue Reading + Watch the Documentary

Austerity’s Drug of Choice: Sisa

Standing in the Athens police headquarters, interviewing the director of the drug unit, I realised I had a bag of chemically enhanced crystal meth in my pocket. I’d bought it the night before from a Greek homeless man and had forgotten to throw it away. After the interview, I stepped outside to smoke a cigarette, which is when some officers noticed the film crew I had brought along, who were recording from a distance. 

Minutes later the cops dragged us into a holding room, the little packet of drugs still stuffed in my pants. They made some calls, glared at us and eventually, reluctantly, released us – without ever searching me, thankfully. On my way out, I threw the baggie into the first garbage can I passed.

Several Greek police stations have been firebombed in recent months, so the cops have reason to be nervous, especially when they notice that they are being filmed. On our first evening in Athens, a different group of officers approached us and, after spotting our film crew down the street, demanded to see our papers. They deleted our footage and detained us for a couple of hours, until we’d managed to get our passports delivered to the station. Greece is a paranoid place at the moment. The police, fascists, anarchists, dealers and drug users are all fighting for local supremacy and no one trusts anyone else. 

The night before our close call at the Athens police headquarters, I was approached by a group of homeless people, one of whom was smoking some horrible-smelling stuff through what appeared to be a meth bowl made from an old lightbulb. Although I don’t speak Greek, I managed to let him know that I wanted to buy some of the drug, colloquially known as sisa. The homeless guy wandered off with my five-euro note, and afterward an old man grabbed my arm and shouted, “No, no take! Very bad.” I wasn’t going to smoke it, but I was very curious about Greece’s infamous new drug. 

Continue Reading + Watch the Documentary

What does “winning” the war in Afghanistan look like? It’s not good.

What does “winning” the war in Afghanistan look like? It’s not good.

This Is What Winning Looks Like


Watch part 1 of our new documentary about chaos, corruption, sexual abuse, and the war in Afghanistan.

Watch VICE’s new documentary about the Mexican vigilantes fighting against drug cartel violence

Watch VICE’s new documentary about the Mexican vigilantes fighting against drug cartel violence

Ground Zero: Mali

Back in February, the only way to reach the city of Gao in northern Mali was to hitch a ride with the French convoys that rolled through the desert every few days. Along the way, a VICE production crew made friends with some French soldiers and chatted with them about what they thought about this grueling campaign as well as the greatest threat they face: homemade bombs, aka IEDs.

Watch the video

Ground Zero: Mali

Back in February, the only way to reach the city of Gao in northern Mali was to hitch a ride with the French convoys that rolled through the desert every few days. Along the way, a VICE production crew made friends with some French soldiers and chatted with them about what they thought about this grueling campaign as well as the greatest threat they face: homemade bombs, aka IEDs.

Watch the video

VICE on HBO is coming… Watch the premiere this Friday at 11 PM.

VICE on HBO is coming… Watch the premiere this Friday at 11 PM.

Far Out: Agafia’s Taiga Life, Part 1

In 1936, a family of Russian Old Believers journeyed deep into Siberia’s vast taiga to escape persecution and protect their way of life. The Lykovs eventually settled in the Sayan Mountains, 160 miles from any other sign of civilization. In 1944, Agafia Lykov was born into this wilderness. Today, she is the last surviving Lykov, remaining steadfast in her seclusion. In this episode of Far Out, the VICE crew travels to the taiga to learn about Agafia’s lifestyle and the encroaching influence of the outside world.

In part one, the VICE crew leaves New York on their long journey to Siberia. After withstanding all the unexpected delays, they finally find themselves in a helicopter flying over the vast taiga to meet Agafia.

Crossing Mexico’s Other Border

People tend to assume that the immigrants crossing the US–Mexico border are all Mexican. The reality is that a large percentage of them come from Central America, and their journey north is grueling. To get to the US, they first have to pass through Mexico, an ordeal that often ends up being even more difficult than getting into the United States. Most migrants cross into Mexico on rafts, via the Suchiate River. After that, they need to protect themselves from corrupt Mexican police, drug cartels like the infamous Zetas, and even fellow migrants. They often travel by foot and by pubic transit, but many of them ride on top of “the Beast,” the freight trains that travel from the south to the north of Mexico.
While the majority of the migrants are young men, a small percentage of them are women who endure hardships like the possibility of being raped by basically anyone they come across. Some of them are forced to stay in the border state of Chiapas and work as prostitutes because they are too weak to keep going, need to save some money to continue their journey, or, if they decide to stay, so they can travel back and forth between Mexico and their home countries to visit their kids.
For this episode of Fringes, we followed Yoana, a young girl from Guatemala who has been living in the small town of Huixtla, Chiapas, working as a prostitute to make money to help her two sons. We tagged along with a special unit from the state government that is in charge of protecting migrants as they travel through Chiapas. We then hopped on board the Beast with more than 400 other migrants traveling from Arriaga to Ixtepec, Oaxaca, to try to understand the hardships they go through and why they leave their homes in the first place.
Watch the video

Crossing Mexico’s Other Border

People tend to assume that the immigrants crossing the US–Mexico border are all Mexican. The reality is that a large percentage of them come from Central America, and their journey north is grueling. To get to the US, they first have to pass through Mexico, an ordeal that often ends up being even more difficult than getting into the United States. Most migrants cross into Mexico on rafts, via the Suchiate River. After that, they need to protect themselves from corrupt Mexican police, drug cartels like the infamous Zetas, and even fellow migrants. They often travel by foot and by pubic transit, but many of them ride on top of “the Beast,” the freight trains that travel from the south to the north of Mexico.

While the majority of the migrants are young men, a small percentage of them are women who endure hardships like the possibility of being raped by basically anyone they come across. Some of them are forced to stay in the border state of Chiapas and work as prostitutes because they are too weak to keep going, need to save some money to continue their journey, or, if they decide to stay, so they can travel back and forth between Mexico and their home countries to visit their kids.

For this episode of Fringes, we followed Yoana, a young girl from Guatemala who has been living in the small town of Huixtla, Chiapas, working as a prostitute to make money to help her two sons. We tagged along with a special unit from the state government that is in charge of protecting migrants as they travel through Chiapas. We then hopped on board the Beast with more than 400 other migrants traveling from Arriaga to Ixtepec, Oaxaca, to try to understand the hardships they go through and why they leave their homes in the first place.

Watch the video

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