Family4Love Is the Facebook of Incest
The profile for TampaRob could be that of any dad. “I have two sons that are 13 and 10, and a daughter that is 11. We stay pretty busy with soccer, gymnastics, and music lessons.” But then there’s the pitch: “We are active and open-minded and enjoy each other and enjoy meeting others the same.”
Welcome to Family4love.com, the Facebook of incest. In the website’s lingo, an “active family” is one that embraces having sex with one another. “Enjoy meeting others the same” means “come join us.”
With 3,086 members, this is a relatively small community, but one that is part of a larger subculture that uses the internet to get extremely nasty with their relatives—both as role-playing and what appears to be the real thing. Click around and you’ll find groups devoted to “Wisconsin families that love each other,” a wealthy gentleman with far from paternalistic intentions looking for a surrogate to carry his children, and even a page devoted to filthy confessions like “I love the smell of my husband’s cock on my toddler’s face when I kiss her.”
Family4Love isn’t the only site of its kind. Incest forums are all over the web. There’s even asubreddit devoted to it. One competitor, Social-Incest.com, calls itself “The place that connects your family in more ways then [sic] one.” And you thought it was awkward when your mom added you on Facebook.
Family4Love flitted into the news last year, when Stephen Lewis, a marine at Camp Pendleton in Southern California, used the site to seek out sex with a father and his children. But the family’s profile was a set-up by Homeland Security and Lewis was arrested. He reportedly admitted to having sex with minors and owning child pornography on his phone. (Calls to the Department of Homeland Security in San Diego to check up on this case were not returned.)
I Went Undercover in America’s Toughest Prison
Everyone knows the US imprisons more people than any other country in the world. What they might not know is that, as an American citizen, you’re more likely to be jailed than if you were Chinese, Russian or North Korean; that, with 2.3 million inmates, there are currently the same amount of people imprisoned in the States as the combined populations of Estonia and Cyprus; and that once Americans are sent to jail, they tend to keep going back.
According to a recent study by the Bureau of Justice Statistics—a US Department of Justice agency—within six months of release 28 percent of inmates get rearrested for a new crime. After three years, the figure rises to 68 percent. By the end of five years, it’s an alarming 77 percent. But terrible recidivism rates have been a constant in the Land of the Free. The Pew Research Center issued its own report on the problem in 2011; the conclusion was bleak. Too many criminal offenders emerge from prison ready to offend again, and more than four out of 10 adult offenders in America return to prison within three years of their release. For too many Americans, the prison door keeps revolving.
How do we try to change whatever it was that brought someone into trouble with the law? And if that proves impossible, what is the best way that society can protect itself? I wanted to find out. I also wanted to see how much of what I knew—or thought I knew—about jail turned out to be true. So I wrote to corrections departments worldwide asking for access.
The Hot Zone: Black Death Returns to Madagascar
sat in a helicopter as it banked around and down toward a clearing in the center of Beranimbo, a village of 80 or so palm-thatched huts tucked away in the emerald mountains of Madagascar’s Northern Highlands. My pilot, a blocky German expat named Gerd, had already made one attempt to touch down the shaky single-engine copter, but he’d aborted the landing after the rotor blades kicked up enough dust to cause a brownout.
A few hours earlier, when we’d set out for Beranimbo—a three-hour journey from the Malagasy capital of Antananarivo—Gerd had seemed excited. He doesn’t normally get jobs like this, typically making his money flying film crews around the countryside to shoot B-roll for ecotourism documentaries, usually about lemurs. “You want me to do a pass?” he asked, and before I could find out what he meant, we were swooping low through the hills. My stomach lurched upward; from this altitude we could see the spiny forest vegetation, tall ravenala trees, and great gaping wounds in the countryside, scars of systematic deforestation.
We were there because, in the fall of 2013, Beranimbo had been an epicenter of a black plague outbreak that resulted in nearly 600 cases and more than 90 deaths across the country. Madagascar reports the most instances of the disease in the world. Depending on which century you’re talking about, it’s perhaps best known as the plague—a scourge generally associated with the Middle Ages, when rats, fleas, and poor hygiene resulted in the deaths of between 75 and 200 million people. The disease remains an enduring threat in third-world nations; public-health watchdogs report up to 2,000 cases a year.
In the 1930s, the rise of antibiotics dampened and then nearly extinguished the clinical threat of the disease, at least in the developed world, and it lost its status as a global killer. But for years, epidemiologists have warned that Madagascar is particularly vulnerable to widespread rural and urban contagion. I wanted to find out just how dangerous this medieval disease is in the 21st century, and why it persists in this corner of the world. That search led me to Beranimbo.
When we arrived, Gerd’s nervousness was apparent. “This may be too dangerous,” he muttered into his headset intercom as he tried to land the helicopter. Gerd’s concern wasn’t for his own safety, but rather the security of 200 people gathered around the makeshift landing pad below. Any one of them could have easily lost an eyeball to a pebble or twig whipped upward into the air. Helicopters are rare in Beranimbo and always attract attention, as they usually carry aid workers from the Red Cross. When we finally found a suitable spot to land, villagers ran from the dusty complex of huts to greet us.
On the ground, I was introduced to the village elder, a thin old man in a light jacket and safari hat. To celebrate our arrival, he had organized the slaughter of a zebu, a type of domestic cattle with a large, camel-like hump, for a celebratory lunch. “The sacrifice of the zebu marks our friendship,” he told me. “I can’t express enough our happiness. Enjoy it with all our gratitude.” The animal’s neck was cut, and I was taken to meet Rasoa Marozafy, a 59-year-old father of seven who’s spent his life in the village. Rasoa is a plague survivor, and part of the reason I’d come to this place.
Slaves of Happiness Island: Molly Crabapple on Abu Dhabi and the Dark Side of High Art
"My message to the head of the Louvre would be to come and see how we are living here,” said Tariq,* a carpenter’s helper working on construction of the Louvre Abu Dhabi, a $653 million Middle Eastern outpost of the iconic Parisian museum. Set to be completed in 2015, its collection will include a Torah from 19th-century Yemen, Picassos, and Magrittes.
“See our living conditions and think about the promises they made,” Tariq told me through a translator.
Last year, in his mid 30s, Tariq left his job at a Pakistani textile mill with dreams of being a crane operator in the Gulf. He showed me his certificate of crane proficiency, pulling the worn piece of paper out of the pocket of his beige salwar kameez. Recruiters promised him a salary of $326 a month—for a $1,776 recruitment fee to be paid in advance. With a cousin guiding him through the process, Tariq flew to Abu Dhabi to work for the Regal Construction company, one of roughly 900 construction outfits that employ foreign workers in the emirate.
But when Tariq arrived, Regal didn’t need him. For 24 days, he waited without pay, living in a squalid workers’ camp. When work finally materialized, he learned he would make only $176 a month. His boss confiscated his passport so that he couldn’t change jobs or leave the country. He sends half his salary back to his family. After 11 months in the Gulf, he still has not paid back the loan he took out to get there.
“How can I stay happy with a salary of $176?” Tariq asked, with an uncomfortable smile.
The Crack Smoking Crime Reporter Who Covered America’s Crack Epidemic
25 years ago, crack use was exploding across America. Cheap and readily accessible, the drug’s place in the national folklore was assured when President George H. W. Bush brandished a bag of crack rocks in an address from the Oval Office in 1989, opining: “It’s as innocent-looking as candy, but it’s turning our cities into battlezones, and it’s murdering our children.”
About four months later, Washington, DC Mayor Marion Barry was busted by the feds. They caught him (on tape) smoking crack in a hotel room—where he famously muttered “Bitch set me up!” in reference to the former girlfriend who cooperated with the FBI to bring him down. That same night, Ruben Castaneda, a recently-hired crime reporter for the Washington Post who was lucky enough to be on the scene at the Vista Hotel, got high on crack in a room paid for by the newspaper. He was an addict, and with his blood racing from having seen the most popular politician in the city go down—and no one at the hotel giving up any dirt on the bust he could use for a story—the temptation was too great to resist.
Before his Post editors helped him get clean and kick the habit, Castaneda led a complicated existence—reporting stories on one hand and surreptitiously scoring crack on the other. His new book about those years, S Street Rising: Crack, Murder, and Redemption in DC, recalls David Simon’s beloved HBO show The Wire with its vivid, textured portrait of urban life and territorial gang warfare. The key difference, as Castaneda likes to point out, is that it’s all true (even if Simon’s own time as a crime reporter gave his show plenty of realism).
I called Castaneda up to ask him about experiencing the crack epidemic first hand, and how he pulled off such an incredible double life.
VICE: You were a reporter in your hometown of LA at the now-defunct Los Angeles Herald-Examiner before being hired by the Post. Do you remember when you first heard about crack cocaine?
Ruben Castaneda: It’s hard to pinpoint, but I probably read an article in the LA Times or the New York Times about the impact crack was having in DC and in other cities around 1987 or 1988. Basically, that it was this incredibly powerful, addictive drug that was being sold in some of the tougher neighborhoods in the cities.
Tell me about your first experience with crack and what you think brought you to the drug.
I was on a reporting assignment on the western edge of downtown LA in a pretty tough neighborhood. This very, very attractive young woman caught my eye. She gestured for me to come over, so I put the reporting aside for a moment and went over to flirt with her. Now, I was already, at this time, drinking heavily. In fact, I had already gotten pretty toasted that afternoon at Corky’s—a dive bar—so I was pretty impaired in judgment. So when she offered me, very quickly into our conversation, a hit of crack, I was 27—old enough to know better but young enough to feel invincible. I was intrigued by the idea of experiencing something that I had read so much about. I’d read that crack cocaine produced this incredible high. In that moment, I dismissed any thoughts that this would throw me into addiction.
"Strawberry" was a term I hadn’t heard outside of rap lyrics before reading the book. Can you explain it to our readers?
A strawberry is a woman who trades sex for drugs. Crack usually, though I suppose it could be other drugs. I was introduced to crack by a young woman who turned out to be a strawberry—Raven—in Los Angeles. Getting a strawberry to make the buy for me very quickly became part of my addiction or compulsion. And it added to the excitement. At least initially, the sex was otherwordly. But there was another component to it in that by handing money to the strawberry—Raven in LA, Champagne or Carrie in DC—and letting them make the buy, I was insulating myself from any police activity. It was a way of protecting myself.
But by the last month or so, I didn’t even care about that. All I wanted was to get drugs—I made the buys directly. Didn’t care about strawberries, just needed more crack.
Sex was wrapped up in your crack use from the start, though. Did you have qualms about exploitation of these women working the street?
At the time that I was caught up in it, I did not reflect on that very much. The women who I was picking up for crack and sex seemed to be very much in control of their own destinies. We didn’t talk about our respective lives—these were transactional encounters. Now, later on, I did start to reflect on the fact that I was playing a role in their own addictions. I think it was June of 1991 when there was a story on the front-page of the Post about a group of women who had worked the streets. I saw a picture of a woman I had picked up to make crack buys for me. Up until that moment, I think I had mentally compartmentalized what I was doing as relatively benign.
Finding Bergdahl: Inside the Search for the Last Prisoner of America’s Longest War
Private Bowe Bergdahl is the personification of America’s lack of purpose and clarity in its decade-long wars in Iraq and Afghanistan. The narrative thus far is this: An introverted but adventurous 23-year-old neophyte soldier becomes disenchanted with the war he has eagerly signed up to fight. Then, within weeks, he wanders off base and ends up kidnapped by the Taliban. He becomes our singular POW, a soldier held against his will for five years—at some points in a cage. According to the kangaroo court of public opinion, though, he is a deserter.
The overall tone of the saga is overwhelmingly negative. Bergdahl is victimizer, responsible for the deaths of solders who never even set foot in Pakistan, the country in which the government and military knew he was being held. Yet this once idealistic, sensitive young man has emerged from five years in captivity in a foreign land to a cycle of social brutalization that has the potential to be even more crushing to his psyche. He has faced accusations that he is a traitor, deserter, Taliban-lover, turncoat, and perhaps even one ofthem.
The other side of this bifurcated stream of white-hot hate is caused by the anger of the American public suddenly discovering that five senior members of the inner circle of Taliban leader Mullah Omar were kidnapped and held for more than 13 years without charges in Guantánamo Bay and are now on their own recognizance in a luxury villa in Qatar. As we will learn, however, all five had surrendered or were working with the Americans before they were kidnapped. The concern is that they are “terrorists” and will be “recidivists.” The Taliban have never been labeled as a terrorist group, but there is clear evidence of men released from Gitmo returning to their violent ways.
Coiled inside, around, and throughout this story is the truth and, even more curiously, my involvement with some elements of that truth in the early days of Bergdahl’s disappearance. A truth obfuscated by a topic that hasn’t gotten nearly as much attention or analysis as its byproducts: the actual criminal act committed by Bergdahl’s kidnappers.
In 2009 I was in Afghanistan and was involved in the search for Bergdahl from that first June morning he went missing. Tasked by a secretive military group to provide minute-by-minute information on his location using my network of local contacts, I quickly pinpointed Bergdahl’s whereabouts. We then predicted which routes Bergdahl would be taken along, knowing full well he would be sold to the Haqqanis in Miranshah, Pakistan, and whisked across the Pakistani border. Thankfully, the military’s Task Force was able to put a spy plane on target and monitor two phone calls made by Bergdahl’s kidnappers.
June 8 is an important day for photographer Nick Ut. Not only is it the 42nd anniversary of his classic Vietnam photo “Napalm Girl,” it’s also the seventh anniversary of “Paris Hilton Getting Arrested,” the other famous photograph in his portfolio. In 35 years, he went from a Pulitzer-winning AP photojournalist to an LA celebrity photographer, and he doesn’t regret a thing.
I Got Drunk at the Sesame Street Gala and Met Cookie Monster
When you’re an aspiring journalist/writer/reporter/editor/media person, you’ll take whatever job comes your way. Some of those jobs are red carpet reporting at galas, movies premieres, fashion week parties—you get the idea. It sounds so much fancier than it actually is. It’s the kind of scene that leaves you contemplating your self-worth as you head back to your apartment across from a U-Haul depot. I know this, because I used to do this.
Luckily, I work for VICE now, and we don’t give a shit whether or not Barbara Walters had plastic surgery. Since I gave up those morally deprecating days, I’ve managed to ignored any red carpet invites from publicists and avoid all the rich people who say “GEY-luh” instead of “gal-uh”—until I got invited to the Sesame Street gala last week. I wanted to go, because I wanted to know Cookie Monster’s weight-loss secrets given his obvious issues with gluttony. And what did Elmo think of Katy Perry’s tits?
I grabbed our Photo Editor, Matthew Leifheit, and headed to Cipriani’s in Midtown, New York. I can’t lie; I was excited, but I knew what was in store: Yes, we’d get to go to a really fancy party with really fancy people in really fancy clothes, but depending on the publicist working that night, we potentially risked trespassing charges, if we walked past the velvet ropes.
The most popular Slendervlogs have viewer counts well into six figures, many of them likely to be old children or young adults, and we don’t see hundreds of kids taking to the woods with kitchen knives… or at least not outside of the fevered imaginations of Daily Mail hacks. Whatever happened to these two children to make them into killers was almost entirely unique to their particular circumstances.
Nothing on these sites told them to kill a child; they decided that for themselves, and the truth is we have absolutely no idea why.
—Don’t Blame Slender Man for the School Girl Stabbling