Spike Jonze Made a Surprise ‘Music Video’ for Karen O
On Sunday we made a one-act play for my friend Humberto’s company, Opening Ceremony. The idea was to do a play instead of a regular fashion show during Fashion Week, and, miraculously, we were able to do it at the New York Metropolitan Opera House. (Thank you, Peter Gelb and everyone at the Met!) Also, this week my dear friend Karen is putting out her first solo album of precious, personal love and heartache gems titled Crush Songs. They are songs made so intimately and spontaneously alone in her bedroom a few years ago that they feel more like unguarded whispers from her heart than a traditionally produced album. So on Sunday, during a ten-minute break as we were rehearsing and lighting at the Met, we made a very impromptu “music video” for Karen in the spirit of her album. It just seemed like if you have the Opera House, that song, and Elle Fanning together, you shouldn’t let the opportunity go by. So we made this as a surprise gift for Karen to congratulate her on her album. She is going to see this for the first time as you do. I hope you enjoy.
Listen to “Easy Rider,” the New Single from Action Bronson
When I was little, I used to sit with my fingers quivering over the “REC” and “PLAY” buttons, ready to record the latest joint by whoever, just so I could rock it on my walkman later. It was a long time ago so who gave a shit if it sounded like poo; I just wanted to have it and know the words before my other homies did. Nowaways, everything’s being recorded, so a dub off of the radio isn’t really all that special, and more annoying than anything.
Today, Action Bronson dropped his first single from Mr. Wonderful, “Easy Rider,” with an unceremonious release to radio, prompting the internets to go buckwild and post every grade-B, sub-par dub of the track ever to be played out of a tin can. Noisey won’t play you like that though. Here’s that real real real version, that professional shit. Because we love you and you deserve only the best.
"Three years ago, I released a video for every single track from Alpocalypse. I’m not gonna say I’m the first person to do that. I’m sure someone did it before me. But what irked me was, when I came out with this eight videos in eight days thing, people were like ‘Oh, you’re pulling a Beyoncé.’ and I have to be like, ‘No, actually Beyoncé was pulling a ‘Weird Al.’"
When I said I was going to interview “Weird Al” Yankovic this past weekend, people asked me how he was going to find the time. The guy is everywhere right now. I was a little confused myself about how he could possibly squeeze in a casual conversation in the lounge at The Standard Hollywood, a hotel on the Sunset Strip.
It wasn’t until I actually saw him stroll into the lobby that I really believed the All-Time King of Song Parody, and reigning Emperor of the Internet could take a moment away from darting all over the digital landscape to talk to the likes of me. He had an entrourage of one in tow: Jay Levey, his manager, creative soulmate and director of UHF (a movie that was released 25 years ago yesterday). Jay is a small, taciturn, businesslike man who puts Al’s elastic, always-on persona in stark relief.
But when Yankovic sat down wearing low-key, normal people colors, it was clear that he wasn’t out of breath, and he was capable of devoting his full attention to an interview. I couldn’t help but ask how this was possible.
"I have to say, the synchronicity with the release of ["Mandatory Fun"] is pretty mind boggling even before we get into all that," he said. "I had been doing all sorts of promotional stuff, like, months and months before I even knew I had an album coming out, and everything started to happen right around the time of the release." He was referring to his recent appearances in other people’s work: "Epic Rap Battles of History,” where he rapped with animal agression while dressed as Isaac Newton, and Drunk History with Derek Waters, in which he played Hitler.
But he emphasized that some of his recent everywhere-ness was happenstance, his performance as Hitler being a prime example. “It tied into the whole totalitarian theme on the album art. And there are things that are coming out over the next few weeks, like ‘Hotwives of Orlando.’ I did a little bit on that show, and that came out the same day as the album. All this stuff is sort of happening, y’know, at the same time.”
Edinburgh might have the castle, the parliament, the Japanese tourists, the neo-classical architecture, and the advantageously low murder rate, but Glasgow has all the fun. Scotland’s largest city is pretty drunk, yes, but we also punch above our weight culturally, with a dynamic music scene, one of the world’s most iconic art schools, and some of the best pubs and clubs in Britain. So taps aff ya dafties, ‘cos here we fucking go.